This is an electro-acoustic piece with the human voice as the core material. The piece is inspired by current news, including controversial topics such as depression, sexual assault and school bullying. The vocals are used to record a brief narrative of a real event, creating a third person perspective of the person's journey from the depths of the abyss to the light of hope. This piece focuses on the process of the person involved in the more controversial topics, from the abyss to hope. It also uses sound development to try to show the metamorphic process of external environmental influences and psychological changes.
The piece is divided into three sections.
The central point of section A is the process of the subject's being experienced and falling into the abyss, using the vocal narration as an entry point, with Auto Filter Automation processing and fleshing out with MIDI synthesisers.
The B section takes the process of the subject sinking into the abyss and slowly seeing the light from the abyss, and the structure of the B is also divided into two sections. In the first half, the vocal slices are used to express the discussion and debate that surrounds the sinking; in the second half, metallic material is used as the theme, supplemented by MIDI synthesisers to describe the psychological struggle. The metallic sound is altered with the Phaser-Flanger, but still retains a metallic quality that enhances the atmosphere of the struggle.
The C section is centred on seeing hope, but here it does not indicate salvation, but rather 'seeing' hope. The "dissonant sound materials" take the form of a different kind of struggle, which is contrasted with the traditional sense of salvation by the "bells" and the brightness of the sound created by the Granular-to-go and other MIDI synths. This is in contrast to the traditional sense of salvation, which also represents the fact that despite seeing the light, there is not always true acceptance or "forgiveness".
This work was created on the platform of Ablenton Live11
这是一首以旁白人声为核心素材所制作的电子声学音乐作品。作品灵感来源于时事新闻，新闻内容包括抑郁症、性侵以及校园霸凌等较具争议性的话题。以人声录制的真实事件简述，加上电子声学去营造以第三人称视角去感受当事人从坠入深渊到看见希望的曙光的过程。这首作品主要阐述了较具争议性话题的当事人，从深渊到希望的过程。并用声音发展的方式尝试表现外部环境影响及心理变化的蜕变过程。
作品分为三个部分。
A段的核心点题是以当事人的被经历到坠入深渊的过程，以人声旁白为切入点，人声旁白做Auto Filter Automation的简易处理，再辅以midi合成器做丰满处理。
B段以当事人再深渊中沉沦并从深渊中缓慢的见到曙光的过程，B的结构也被分为两段。前半段以人声切片进入，用以表达在沉沦中被环绕的议论与讨论声；后半段则以金属质感的素材声为主题，辅以Midi合成器做心理挣扎的声学描述，再衔接至最后一段“看见希望”，金属声以Phaser-Flanger做处理改变其音色，但还保有金属质感，提升挣扎的氛围感。
C段以看见希望为核心，首先需要注意的是在这里并未表明是得到救赎，而是“看见”希望，以铃铛声作为铺垫，营造明亮感，搭配以Granular-to-go与其他的Midi合成器所搭配出来的声音营造氛围，但电子声在其中的作用更是以另一种挣扎的形式出现，与B段做衔接，更是与传统意义上的救赎产生对比，这也侧面代表了尽管看见曙光，也不一定能真正的接纳亦或者“原谅”。
本作品创作平台为Ablenton Live11
